Difference between revisions of "Gossip"

Revision as of 23:13, 9 March 2011

The exchange of information by word-of-mouth between diegetic characters.

Like in the real world, the people presenting in game worlds can engage in the very human activity of sharing Gossip.

Examples

Standing within hearing distance of non-player characters in Oblivion in the The Elder Scrolls series can let players overhear them talking to each other, and these discussions can reveal interesting areas to explore. Being close, but not too close, to Grace and Trip in the interactive drama Façade can likewise provide information, but in this case concerning their relational problems.

Most, but not all, of the Gossip Stones found in The Legend of Zelda series provide players with information about the game state or hints on how to complete quests. Many of the characters encountered in the game, e.g. the friends, relatives, and neighbors on Outset Island of The Legend of Zelda: The Wind Waker, can also provide some more or less useful information.

Many, e.g. 1942 – Noen å stole på and Dragonbane, provide good settings for Gossip to be spread, both by having uncertain information and by providing ample time to discuss this information.

Using the pattern

A requirement for Gossip is that Imperfect Information exists in the Game World, even if it only does so on a diegetic level. This may be that players, or their Characters, do not have information about the state of facts or that Non-Player Characters lack this. Not that Gossip can be true, false, or contain partial truths - the important thing is that players (or at least their Characters) do not always have an immediate and fully reliable way of judging the trustworthiness of the statement.

One aspect of designing Gossip is deciding if it should occur between Non-Player Characters, between Player Characters, or between one of each. The first can provide opportunities of Eavesdropping (as can the other two when there is at least three or two players respectively). The second lets players engage in both Roleplaying and Storytelling, and to have some Creative Control in how these are performed.

The subjects mentioned in Gossip also needs consideration. Although Gossip commonly is about Characters, when it is provided by the game this can be used to inform about possible Quests and Diegetically Outstanding Features. Gossip about other players can easily stem from Negotiation (or about their Characters if part of Roleplaying), either as ways of trying to share information or on purpose spread mis-information. As such it can be vital to maintain Dynamic Alliances and believes in Delayed Reciprocity, but can also be used to commit Betrayal of trusts.

For games building on Roleplaying, encouraging Gossip can be as easy as providing Downtime in addition to the presence of Imperfect Information.

Diegetic Aspects

While Gossip can always provide Information Passing, this may break Diegetic Consistency if not delivered as part of Context-Dependent Dialogue. Even so, this can, much like other types of Dialogue, break if Canned Text Responses are used.

Narrative Aspects

Consequences

Gossip is one form of Dialogue, and thereby Information Passing, between characters.

As mentioned above, when used as part of Negotiation Gossip can be the tool to commit Betrayal or the glue that holds together Dynamic Alliances or beliefs in Delayed Reciprocity.

Relations

Can Instantiate

Betrayal, Dialogue, Information Passing

with Non-Player Characters

Eavesdropping

with Player Characters

Creative Control, Roleplaying, Storytelling

Can Modulate

Delayed Reciprocity, Diegetically Outstanding Features, Dynamic Alliances, Characters, Quests

Can Be Instantiated By

Imperfect Information, Non-Player Characters, Negotiation, Player Characters

Downtime together with Roleplaying

Can Be Modulated By

Canned Text Responses, Context-Dependent Dialogue

Possible Closure Effects

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Potentially Conflicting With

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History

New pattern created in this wiki.

References

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