Difference between revisions of "Mimetic Interfaces"
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[[Category:Interface Patterns]] | [[Category:Interface Patterns]] | ||
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''Gameplay where sensors measures how well a player performs actions in the game.'' | ''Gameplay where sensors measures how well a player performs actions in the game.'' | ||
| − | The ability of computer systems to measure | + | The ability of computer systems to use sensors to measure physical actions that players are performing can be used as input to games. Games that do this have [[Mimetic Interfaces]]. |
| − | + | [[Mimetic Interfaces]] are discussed in greater detail in the book ''A Casual Revolution''<ref name="Juul"/>. | |
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| − | [[Mimetic Interfaces]] are discussed in the book ''A Casual Revolution''<ref name="Juul"/>. | + | |
=== Examples === | === Examples === | ||
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== Using the pattern == | == Using the pattern == | ||
| − | + | [[Mimetic Interfaces]] are created by requires players to do [[Physical Enactment]] of actions while having [[Mediated Gameplay]]. Since the actions need to be physical in some way, [[Dexterity-Based Actions]] is a common solution (as seen in [[Donkey Konga]] and the [[Guitar Hero series]] being based on playing musical instruments and the [[Just Dance series]] requiring players to dance). [[Mimetic Interfaces]] are easily based on [[Rhythm-Based Actions]] since presenting rhythms and check that these are being followed is easy to measure. Other types of action can also be the basis for [[Mimetic Interfaces]] but complex activities or those requiring high levels of granularity can be technically challenging to detect. For this reason, many games using [[Mimetic Interfaces]] have rather limited gameplay actions and the pattern may be good to use for [[Minigames]] since these can provide variety in theme if nothing else. | |
| − | [[Dexterity-Based Actions]], | + | |
| − | [[ | + | [[Smooth Learning Curves]] can rather easily be created for games with [[Mimetic Interfaces]] by starting with easy actions and then making them more challenging. This can further be done through having high levels of tolerance for what is acceptable performances in early part of the game and then demanding more "correct" actions later on. |
=== Interface Aspects === | === Interface Aspects === | ||
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== Consequences == | == Consequences == | ||
| − | [[Mimetic Interfaces]] require the [[Enactment]] of actions by players, and may depend on [[Player Physical Prowess]] if these actions closely relate to skill sets in the real world. Since they tend to attract attention, they are often [[Competing for Attention]] and work against a game having [[Minimalized Social Weight]]. | + | [[Mimetic Interfaces]] require the [[Enactment]] of actions by players, and may depend on [[Player Physical Prowess]] if these actions closely relate to skill sets in the real world. Since the action to be performed are typically based on those some type of role (e.g. athlete, musician, etc.), [[Mimetic Interfaces]] open up for [[Role Fulfillment]] goals. However, since they tend to attract attention, they are often [[Competing for Attention]] and work against a game having [[Minimalized Social Weight]]. |
[[Mimetic Interfaces]] can provide players with [[Exaggerated Perception of Influence]] in several ways: they can be playing the actual music the players can trick themselves into feeling that they are playing, they can be tolerant in how they judge, and by letting players continue to perform they can make players believe that they are performing well regardless of how well they are doing the actual actions. Juul discusses part of these effects through the concept of the "Magic Crayon" in his book "A Casual Revolution"<ref name="Juul"/>. | [[Mimetic Interfaces]] can provide players with [[Exaggerated Perception of Influence]] in several ways: they can be playing the actual music the players can trick themselves into feeling that they are playing, they can be tolerant in how they judge, and by letting players continue to perform they can make players believe that they are performing well regardless of how well they are doing the actual actions. Juul discusses part of these effects through the concept of the "Magic Crayon" in his book "A Casual Revolution"<ref name="Juul"/>. | ||
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Since [[AI Players]] typically work within the software part of a game, such players are difficult to use with [[Mimetic Interfaces]] ([[Robotic Players]] can be used with [[AI Players]] to overcome this issue). | Since [[AI Players]] typically work within the software part of a game, such players are difficult to use with [[Mimetic Interfaces]] ([[Robotic Players]] can be used with [[AI Players]] to overcome this issue). | ||
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== Relations == | == Relations == | ||
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=== Can Instantiate === | === Can Instantiate === | ||
[[Competing for Attention]], | [[Competing for Attention]], | ||
[[Enactment]], | [[Enactment]], | ||
| − | [[Player Physical Prowess]] | + | [[Exaggerated Perception of Influence]], |
| + | [[Player Physical Prowess]], | ||
| + | [[Role Fulfillment]], | ||
| + | [[Smooth Learning Curves]] | ||
=== Can Modulate === | === Can Modulate === | ||
Latest revision as of 08:20, 6 September 2014
Gameplay where sensors measures how well a player performs actions in the game.
The ability of computer systems to use sensors to measure physical actions that players are performing can be used as input to games. Games that do this have Mimetic Interfaces.
Mimetic Interfaces are discussed in greater detail in the book A Casual Revolution[1].
Contents
Examples
Already the Magnavox Odyssey, first game console, provided a Mimetic Interface through the Shooting Gallery which allows players to aim a gun replica at bright areas on the display. Wii Sports is a game where the Mimetic Interface allows players to approximate playing various sports while the Just Dance series allow players to try and dance according to certain goals. Donkey Konga, the Guitar Hero series and the Rock Band series in contrast use various peripherals to let players "play" music by hitting the right buttons or areas of the peripherals. The SingStar series uses input from a microphone to judge how well players can match the tones that they should sing.
Using the pattern
Mimetic Interfaces are created by requires players to do Physical Enactment of actions while having Mediated Gameplay. Since the actions need to be physical in some way, Dexterity-Based Actions is a common solution (as seen in Donkey Konga and the Guitar Hero series being based on playing musical instruments and the Just Dance series requiring players to dance). Mimetic Interfaces are easily based on Rhythm-Based Actions since presenting rhythms and check that these are being followed is easy to measure. Other types of action can also be the basis for Mimetic Interfaces but complex activities or those requiring high levels of granularity can be technically challenging to detect. For this reason, many games using Mimetic Interfaces have rather limited gameplay actions and the pattern may be good to use for Minigames since these can provide variety in theme if nothing else.
Smooth Learning Curves can rather easily be created for games with Mimetic Interfaces by starting with easy actions and then making them more challenging. This can further be done through having high levels of tolerance for what is acceptable performances in early part of the game and then demanding more "correct" actions later on.
Interface Aspects
Mimetic Interfaces is an Interface Pattern.
Consequences
Mimetic Interfaces require the Enactment of actions by players, and may depend on Player Physical Prowess if these actions closely relate to skill sets in the real world. Since the action to be performed are typically based on those some type of role (e.g. athlete, musician, etc.), Mimetic Interfaces open up for Role Fulfillment goals. However, since they tend to attract attention, they are often Competing for Attention and work against a game having Minimalized Social Weight.
Mimetic Interfaces can provide players with Exaggerated Perception of Influence in several ways: they can be playing the actual music the players can trick themselves into feeling that they are playing, they can be tolerant in how they judge, and by letting players continue to perform they can make players believe that they are performing well regardless of how well they are doing the actual actions. Juul discusses part of these effects through the concept of the "Magic Crayon" in his book "A Casual Revolution"[1].
Real Life Activities Affect Game State and Mimetic Interfaces deal with similar aspects of gameplay but are not compatible since the former uses non-game actions and activities as input to a game while the latter has activities within the game that are similar to non-game activities.
Since AI Players typically work within the software part of a game, such players are difficult to use with Mimetic Interfaces (Robotic Players can be used with AI Players to overcome this issue).
Relations
Can Instantiate
Competing for Attention, Enactment, Exaggerated Perception of Influence, Player Physical Prowess, Role Fulfillment, Smooth Learning Curves
Can Modulate
Minigames, Rhythm-Based Actions
Can Be Instantiated By
Physical Enactment together with Mediated Gameplay
Can Be Modulated By
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Possible Closure Effects
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Potentially Conflicting With
AI Players, Real Life Activities Affect Game State, Minimalized Social Weight
History
New pattern created in this wiki.
References
Acknowledgements
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