Difference between revisions of "Storytelling"

Revision as of 06:57, 13 July 2014

The act of telling stories within the game.

Some games promote players to tell stories within games. This may be retelling of actions and events that players have done, the history of the game world, or part of creating the game world.

Examples

Once Upon a Time is a card game based around storytelling. Players play cards with story concepts to be allowed to continue the story based upon the narrative started by other players.

The role of game masters in roleplaying games is partly that of storyteller, merging the preplanned events with the actions the players have performed within the Game World. The gameplay in these games is based on Storytelling assisted with background material such as maps and rulebooks.

Sleep is Death is a mediated two-player game where one of the players takes the role of a game master that tells a story to the other player.

Anti-Examples

Using the pattern

Player Decided Results, Emotional Engrossment, Never Ending Stories, Creative Control, Game Mastery, Narrative Structures, Player Constructed Worlds, Social Interaction, Extra-Game Actions

Trans-Game Information, Alternative Reality, Consistent Reality Logic, Extra-Game Information

Ultra-Powerful Events

Can Instantiate

Extra-Game Consequences, Freedom of Choice, Game Worlds, Strategic Knowledge

with Game Masters or Self-Facilitated Games

Cutscenes

with Game Worlds

Illusion of Open Space

Can Modulate

Fudged Results, Persistent Game Worlds,

Can Be Instantiated By

Characters, Construction, Cutscenes, Environmental Storytelling, Game Masters, Non-Player Help, Player Characters, Roleplaying, Self-Facilitated Games,

Gossip together with Player Characters

Can Be Modulated By

Interruptible Actions, Scenes

Potentially Conflicting With

Diegetic Consistency

Storytelling in games can be done both by Dedicated Game Facilitators and by Entitled Players. The stories told do not have to be part of the Narrative Structure of a Game World but can be in several different ways. First, they can be explanations of the history and current state of the Alternative Reality of the Game World and this is the typical way Storytelling is done by Dedicated Game Facilitators to advance the Narrative Structure. Second, the stories can be part of Roleplaying, the retelling of previous gameplay within Consistent Reality Logic. Third, the stories can be part of creating and expanding the Narrative Structure rather than unfolding an existing structure, although this requires Game Masters or Self-Facilitated Games. Providing back stories for Characters is an area where players usually are allowed Creative Control for Storytelling, even in games with tightly restricted Narrative Structures.

Storytelling gives both players and Dedicated Game Facilitators the possibility to explain Extra-Game Information in a context so that it does not disturb a Consistent Reality Logic.

Storytelling by players or Game Masters may be controlled through Turn Taking or be Interruptible Actions. In contrast, the Storytelling done in computer games, for example by Cut Scenes, is a form of Ultra-Powerful Event that cannot be interrupted although they may be skipped.

Consequences

Diegetic Aspects

Interface Aspects

Narrative Aspects

Consequences

Storytelling either provides or creates Narrative Structures in a game.

Storytelling can be used to frame all actions and events in a Game World within the Consistent Reality Logic of the Alternative Reality and can visualize the Game World and its history. When the Storytelling is performed by enacting Characters, the activity gives rise to Roleplaying.

When Storytelling is performed by humans, it is a form of Social Interaction that often gives Emotional Immersion, and being able to tell stories well can give Social Status and can even be considered part of Game Mastery in some games. Storytelling can give players Creative Control and Freedom of Choice, and in games with Game Masters, these stories can become part Player Constructed Worlds by being Player Decided Results. In Persistent Game Worlds, the stories can have further influence by being part of the development of Never Ending Stories.

Games can of course also cause Storytelling as Extra-Game Actions, for example, bragging about results. In this case, Storytelling passes Trans-Game Information between players including possible Strategic Knowledge.

Relations

Predetermined Story Structures

--- Player Decided Results, Emotional Engrossment, Never Ending Stories, Creative Control, Game Mastery, Player Constructed Worlds, Social Interaction, Extra-Game Actions

Trans-Game Information, Alternative Reality, Consistent Reality Logic, Extra-Game Information

Ultra-Powerful Events

Can Instantiate

Extra-Game Consequences, Freedom of Choice, Game Worlds, Narrative Structures, Strategic Knowledge

with Game Masters or Self-Facilitated Games

Cutscenes

with Game Worlds

Illusion of Open Space

Can Modulate

Fudged Results, Game Worlds, Persistent Game Worlds,

Can Be Instantiated By

Characters, Construction, Cutscenes, Dedicated Game Facilitators, Entitled Players, Environmental Storytelling, Game Masters, Non-Player Help, Player Characters, Roleplaying, Self-Facilitated Games,

Gossip together with Player Characters

Can Be Modulated By

Interruptible Actions, Scenes

Possible Closure Effects

-

Potentially Conflicting With

Diegetic Consistency

History

An updated version of the pattern Storytelling that was part of the original collection in the book Patterns in Game Design^[1].

References

1. ↑ Björk, S. & Holopainen, J. (2004) Patterns in Game Design. Charles River Media. ISBN1-58450-354-8.

Acknowledgements

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