Difference between revisions of "Difficulty Levels"
(→Can Be Instantiated By) |
(→Can Be Instantiated By) |
||
Line 66: | Line 66: | ||
[[Asymmetric Starting Conditions]] together with [[Characters]] or [[Abstract Player Constructs]] | [[Asymmetric Starting Conditions]] together with [[Characters]] or [[Abstract Player Constructs]] | ||
− | [[Memorizing]] together with [[Perfect Information]] | + | [[Memorizing]] together with [[Perfect Information]] |
=== Can Be Modulated By === | === Can Be Modulated By === |
Revision as of 21:00, 29 May 2011
Controls in a game for letting player choose how difficult the gameplay should be.
To be enjoyable, a game being played needs to have a difficulty fitting the challenge its players wishes to have. Many games try to solve this by steadily become more difficult as gameplay progresses under the assumption that players are getting more skilled - which can be described as keeping the players in the Flow channel[1]. This does however not solve the case of games that are replayed since they start at a higher skill level. Difficulty Settings are design options that allow players to modify the difficulty to what they perceive as being their right level, which may be harder than normal if they are skilled but also easier than normal if they are not used to the type of game or simply want a more relaxing experience.
Contents
Examples
The Doom series lets players choose between five different Difficulty Levels: I'm Too Young To Die, Hey, Not Too Rough, Hurt Me Plenty, Ultra-Violence, and Nightmare. These differ by the number of monsters encountered (or their strength), ammunition available for weapons, the speed of monsters and damage taken from their attacks, and how often they respawn. Left 4 Dead series lets players choose between Easy, Normal, Advanced, and Expert when playing, and this affects the speed, strength, and health of the "infected" as well as how often hordes of them attack players. In addition, players of Left 4 Dead 2 can choose to use the Realism Mode in which the game does not provide non-diegetic information about where the other players or supplies are.
The Hearts of Iron series of grand strategy games let players select Difficulty Levels ranging from Very Easy to Very Hard. These affect the number of manpower available, industrial capabilities, availability of resources, revolt risks, and efficiency of naval bases and supply networks.
Difficulty Levels can also be found in board games. Space Alert lets players choose difficulty simply by choosing between different scenarios (the actual challenges are randomized, so it is the structures that are chosen by selecting particular scenarios). Players of Pandemic can increase the level of difficulty in games by seeding card stacks with additional "epidemic" cards while in Forbidden Island one can make it harder to win by starting with a higher water level.
Using the pattern
Designing Difficulty Levels consists of deciding on different types of modifications to the gameplay that should be used to describe different levels of difficulty. The options naturally depend on what values are handled by the game system, but generally Decreased Abilities or Improved Abilities form the basis for creating a difficulty level. For Multiplayer Games a general choice also exists regarding if all players need to have the same difficulty setting or not - if they do not have to have this then Difficulty Levels provide a Handicap System (as they do in any Single-Player Game).
Examples of more specific modifications include to availably of Ammunition or Tools that restore Health, general multipliers in Damage taken or given, numbers of Enemies encountered and how often Respawning occurs, and the skill of AI Players and Algorithmic Agents controlling Enemies. In games with Teams, limiting the possibilities for Coordination is a way to make gameplay more difficulty. The Realism Mode in Left 4 Dead 2 is an example of this, but also shows that Difficulty Levels do not have to be simply choices along one scale. In this case the use of Geospatial Game Widgets are severely districted and thereby makes Coordination more difficult, but any kind of modification (or groups of modifications) could be broken out as a separate choices - the ability to switch Friendly Fire on and off in Quake 3 by console commands can be seen as an additional example. When selectable, systems providing Dynamic Difficulty Adjustment can be seen as a form of thing type of Difficulty Levels as well. Board games requiring no dexterity and with Perfect Information provides a very specific form of difficulty setting - that of not using any Tokens and thereby requiring some or all player to continuously having to engage in Memorizing the game state. Chess played in this way is called Blindfold Chess.
An alternative way of creating Difficulty Levels are to use Asymmetric Starting Conditions that are created through what Characters or Abstract Player Constructs one chooses to play. Characters are used in this fashion mostly in fighting games such as the Tekken series and is a weak example in that they are typically meant to be balanced against each other - the difficulty mainly comes from playing Characters for whom one knows the Combos or playing those where one does not. The use of Asymmetric Starting Conditions for Abstract Player Constructs such as countries are often based upon the setting of the games - not all countries in the Hearts of Iron series have equal possibilities to handle the turmoil of the Second World War and, as the name suggests, not all countries in the Europa Universalis series were posed to be able and expand their influence between the 15th and 19th century AD.
While Difficulty Levels in themselves do not provide explicit goals in games (they modulate the ones that exist), an except can be found when they are used together with Goal Achievements. In these cases, i.e. when there exists Goal Achievements tied to specific Difficulty Levels as for example done in Torchlight, they do give rise to the presence of Handicap Achievements.
Interface Aspects
The setting of Difficulty Levels are typically done either in Secondary Interface Screens, or, for Multiplayer Games, in Game Lobbies.
Consequences
Difficulty Levels are a form of Handicap System, and since players can choose to deviate from the standard they also represent a form of Optional Rules. They give players a Freedom of Choice to have either Casual or Challenging Gameplay, as well as set the level of Framed Freedom they wish to have if some freedom exists to begin with. When players use Difficulty Levels to gradual increase the levels as they get better, this use of the pattern allows for Smooth Learning Curves that can be used to develop Game Mastery. However, this is under the responsibility of players that this occurs - Difficulty Levels can as easily work against Game Mastery if players are tempted to play on easy levels to complete or dominate the game.
As mentioned above, Difficulty Levels can be combined with Goal Achievements to create Handicap Achievements.
Relations
Can Instantiate
Challenging Gameplay, Casual Gameplay, Freedom of Choice, Game Mastery, Handicap Systems, Optional Rules, Smooth Learning Curves
with Goal Achievements
Can Modulate
AI Players, Algorithmic Agents, Ammunition, Framed Freedom, Geospatial Game Widgets, Damage, Enemies, Respawning, Tools
Coordination and Friendly Fire in games with Teams
Can Be Instantiated By
Decreased Abilities, Dynamic Difficulty Adjustment, Game Lobbies, Improved Abilities, Secondary Interface Screens
Asymmetric Starting Conditions together with Characters or Abstract Player Constructs
Memorizing together with Perfect Information
Can Be Modulated By
-
Possible Closure Effects
-
Potentially Conflicting With
History
New pattern created in this wiki.
References
- ↑ Csíkszentmihályi, Mihály (1996). Creativity: Flow and the Psychology of Discovery and Invention. New York: Harper Perennial. ISBN 0-06-092820-4.