Difference between revisions of "Traps"
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== Using the pattern == | == Using the pattern == | ||
| − | [[Traps]] can be divided into three categories: those that are visible and whose effects are clear, those that can be found by noticing differences from the surrounding environment of the trap, and those that cannot be noticed before they are activated. The first type, exemplified by game elements such as crushers, flame dischargers, and so on that follow a certain pattern in activation, allows players to bypass or deactivate them as long as they successful with [[Timing]] or [[Rhythm-Based Actions]]. The second type, which can be exemplified by (badly) camouflaged pits, require players to be observant of [[Diegetically Outstanding Features]] in [[Game Worlds]]. The last type, often [[Red Herrings]] and which can be exemplified by false [[Power-Ups]] or [[Traps]] activated by counter-weights when picking up [[Diegetically Tangible Game Items]], creates [[Surprises]] but also promotes [[Memorizing]] to remember the location of the trap. Triggering the [[Traps]] typically lead to [[Ability Losses]], [[Decreased Abilities]], or [[Damage]]. The [[Damage]] may lead to instant deaths, i.e. losses of [[Lives]] or [[Units]], or reductions of [[Health]] which only kills those already wounded. While instantly killing players with [[Traps]] not possible to notice before they are sprung may seem harsh, this has been under in games, e.g. [[Another World]], to require players to combine [[Leaps of Faith]] with [[Memorizing|Memorize]] in order to solve problems. | + | [[Traps]] can be divided into three categories: those that are visible and whose effects are clear, those that can be found by noticing differences from the surrounding environment of the trap, and those that cannot be noticed before they are activated. The first type, exemplified by game elements such as crushers, flame dischargers, and so on that follow a certain pattern in activation, allows players to bypass or deactivate them as long as they successful with [[Timing]] or [[Rhythm-Based Actions]]. The second type, which can be exemplified by (badly) camouflaged pits, require players to be observant of [[Diegetically Outstanding Features]] in [[Game Worlds]]. The last type, often [[Red Herrings]] and which can be exemplified by false [[Power-Ups]] or [[Traps]] activated by counter-weights when picking up [[Diegetically Tangible Game Items]], creates [[Surprises]] but also promotes [[Memorizing]] to remember the location of the trap. Triggering the [[Traps]] typically lead to [[Ability Losses]], [[Decreased Abilities]], or [[Damage]]. The [[Damage]] may lead to instant deaths, i.e. losses of [[Lives]] or [[Units]], or reductions of [[Health]] which only kills those already wounded. While instantly killing players with [[Traps]] not possible to notice before they are sprung may seem harsh, this has been under in games, e.g. [[Another World]], to require players to combine [[Leaps of Faith]] with [[Memorizing|Memorize]] in order to solve problems. The negative effects can of course be limited to specific type of game elements: those belonging to players, those representing [[Enemies]], or more complex combinations. |
Either [[Game Items]] or [[Environmental Effects]] can be used to all of the categories, but [[Diegetically Tangible Game Items]] are noteworthy in that they can allow players to construct [[Traps]] during gameplay using a game's rules for physics. [[Destructible Objects]] are also interesting since they can be [[Traps]] because they are destructible, e.g. [[Game Items]] hiding pits, but also be other types of [[Game Items]] that happen to be [[Destructible Objects]] and in the latter case this can be used to spring the traps on others. | Either [[Game Items]] or [[Environmental Effects]] can be used to all of the categories, but [[Diegetically Tangible Game Items]] are noteworthy in that they can allow players to construct [[Traps]] during gameplay using a game's rules for physics. [[Destructible Objects]] are also interesting since they can be [[Traps]] because they are destructible, e.g. [[Game Items]] hiding pits, but also be other types of [[Game Items]] that happen to be [[Destructible Objects]] and in the latter case this can be used to spring the traps on others. | ||
| − | [[Traps]] can be used to limit the players' accessible area, i.e. create [[Inaccessible Areas]], either by acting as a barrier to an area or by being [[Environmental Effects]] that affect the whole area, e.g. by being a lake of acid. Accessible routes can be hidden this types of [[Traps]] which can be navigated by combinations of [[Leap of Faith]] actions and [[Memorizing]]. Shrinking Game Worlds can take the form of | + | [[Traps]] can be used to limit the players' accessible area, i.e. create [[Inaccessible Areas]], either by acting as a barrier to an area or by being [[Environmental Effects]] that affect the whole area, e.g. by being a lake of acid. Accessible routes can be hidden this types of [[Traps]] which can be navigated by combinations of [[Leap of Faith]] actions and [[Memorizing]]. [[Shrinking Game Worlds]] can take the form of [[Traps]], which either seals off game areas, e. g., collapsing bridges or cave-ins, or kill those unfortunate to be in the areas removed. Less commonly, [[Traps]] can be used to open up game areas, e. g., a fallen rock exposes a tunnel. This can be used to enforce the [[Predetermined Story Structures]] of games and to create or open up [[Inaccessible Areas]]. |
| − | + | [[Traps]] can be used to help [[Guard]] goals and can make it possible to achieve [[Eliminate]] goals without directly attacking opponents. | |
[[Interruptible Actions]] | [[Interruptible Actions]] | ||
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[[Evade]] | [[Evade]] | ||
| − | + | [[Shrinking Game Worlds]] | |
| − | [[ | + | |
=== Can Be Modulated By === | === Can Be Modulated By === | ||
[[Delayed Effects]], | [[Delayed Effects]], | ||
| − | |||
[[Line of Sight]], | [[Line of Sight]], | ||
[[Time Limits]], | [[Time Limits]], | ||
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=== Diegetic Aspects === | === Diegetic Aspects === | ||
While some [[Traps]] require [[Rhythm-Based Actions]] to avoid, games built around [[Rhythm-Based Actions]] sometimes instead explain failures of performing these actions as the triggering of [[Traps]]. | While some [[Traps]] require [[Rhythm-Based Actions]] to avoid, games built around [[Rhythm-Based Actions]] sometimes instead explain failures of performing these actions as the triggering of [[Traps]]. | ||
| + | |||
| + | === Narration Aspects === | ||
| + | Since [[Traps]] can cause [[Surprises]], this can be used as part of [[Predetermined Story Structures]] and especially to enact [[Betrayal]]. | ||
== Consequences == | == Consequences == | ||
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Depending on whether the trap is known to the player, [[Traps]] can cause [[Tension]] or [[Surprises]], and those that are triggered but have [[Delayed Effects]] can cause [[Anticipation]]. [[Traps]] that mask themselves as useful [[Game Items]] or beneficial [[Environmental Effects]] are [[Red Herrings]]. Triggered [[Traps]] are examples of [[Ultra-Powerful Events]] when the activation of the effect is not an [[Interruptible Actions|Interruptible Action]] nor is it possible to [[Evade]] their effects. | Depending on whether the trap is known to the player, [[Traps]] can cause [[Tension]] or [[Surprises]], and those that are triggered but have [[Delayed Effects]] can cause [[Anticipation]]. [[Traps]] that mask themselves as useful [[Game Items]] or beneficial [[Environmental Effects]] are [[Red Herrings]]. Triggered [[Traps]] are examples of [[Ultra-Powerful Events]] when the activation of the effect is not an [[Interruptible Actions|Interruptible Action]] nor is it possible to [[Evade]] their effects. | ||
| − | When [[Diegetically Tangible Game Items]] can be used to construct [[Traps]], this provides [[Creative Control]] for players. [[Traps]] that are [[Destructible Objects]] may not provide as much [[Creative Control]] but can offer gameplay options to those engaging in [[Tactical Planning]]. | + | When [[Diegetically Tangible Game Items]] can be used to construct [[Traps]], this provides [[Creative Control]] for players. [[Traps]] that are [[Destructible Objects]] may not provide as much [[Creative Control]] but can offer gameplay options to those engaging in [[Tactical Planning]]. When [[Traps]] can be used in these ways by players, or simply moved safely in some fashion, they can be used to help solve [[Eliminate]] and [[Guard]] goals. |
[[Safe Havens]] cannot be combined with [[Traps]], since the presence of the [[Traps]] would make the locations unsafe. | [[Safe Havens]] cannot be combined with [[Traps]], since the presence of the [[Traps]] would make the locations unsafe. | ||
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== Relations == | == Relations == | ||
=== Can Instantiate === | === Can Instantiate === | ||
| + | [[Betrayal]], | ||
[[Diegetically Tangible Game Items]], | [[Diegetically Tangible Game Items]], | ||
[[Freedom of Choice]], | [[Freedom of Choice]], | ||
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=== Can Modulate === | === Can Modulate === | ||
| + | [[Eliminate]], | ||
[[Enemies]], | [[Enemies]], | ||
[[Game Worlds]], | [[Game Worlds]], | ||
| + | [[Guard]], | ||
[[Health]], | [[Health]], | ||
| + | [[Inaccessible Areas]] | ||
[[Lives]], | [[Lives]], | ||
[[Power-Ups]], | [[Power-Ups]], | ||
| + | [[Predetermined Story Structures]], | ||
[[Rhythm-Based Actions]], | [[Rhythm-Based Actions]], | ||
[[Units]] | [[Units]] | ||
Revision as of 21:52, 2 May 2011
Game Elements or game events that kill or damage avatars and units.
Traps are hidden dangers in game environments that can damage people and items, potentially killing or destroying them. Some are diegetically explained as being constructed with the intention of being traps while others are simply dangerous environments. Examples of Traps include pits, falling blocks, lava, fire, acid, steam, machinery, crushing presses, fast-moving vehicles, and collapsing bridges, but many more are possible.
Contents
Examples
Example: Platform games such as Super Mario Sunshine and The Legend of Zelda: Wind Waker are filled with a wide variety of deadly traps.
Example: The tracks in Super Monkey Ball are hovering high above the ground, effectively surrounding the tracks with a Deadly Trap.
Left 4 Dead series Torchlight Ghost Stories
Using the pattern
Traps can be divided into three categories: those that are visible and whose effects are clear, those that can be found by noticing differences from the surrounding environment of the trap, and those that cannot be noticed before they are activated. The first type, exemplified by game elements such as crushers, flame dischargers, and so on that follow a certain pattern in activation, allows players to bypass or deactivate them as long as they successful with Timing or Rhythm-Based Actions. The second type, which can be exemplified by (badly) camouflaged pits, require players to be observant of Diegetically Outstanding Features in Game Worlds. The last type, often Red Herrings and which can be exemplified by false Power-Ups or Traps activated by counter-weights when picking up Diegetically Tangible Game Items, creates Surprises but also promotes Memorizing to remember the location of the trap. Triggering the Traps typically lead to Ability Losses, Decreased Abilities, or Damage. The Damage may lead to instant deaths, i.e. losses of Lives or Units, or reductions of Health which only kills those already wounded. While instantly killing players with Traps not possible to notice before they are sprung may seem harsh, this has been under in games, e.g. Another World, to require players to combine Leaps of Faith with Memorize in order to solve problems. The negative effects can of course be limited to specific type of game elements: those belonging to players, those representing Enemies, or more complex combinations.
Either Game Items or Environmental Effects can be used to all of the categories, but Diegetically Tangible Game Items are noteworthy in that they can allow players to construct Traps during gameplay using a game's rules for physics. Destructible Objects are also interesting since they can be Traps because they are destructible, e.g. Game Items hiding pits, but also be other types of Game Items that happen to be Destructible Objects and in the latter case this can be used to spring the traps on others.
Traps can be used to limit the players' accessible area, i.e. create Inaccessible Areas, either by acting as a barrier to an area or by being Environmental Effects that affect the whole area, e.g. by being a lake of acid. Accessible routes can be hidden this types of Traps which can be navigated by combinations of Leap of Faith actions and Memorizing. Shrinking Game Worlds can take the form of Traps, which either seals off game areas, e. g., collapsing bridges or cave-ins, or kill those unfortunate to be in the areas removed. Less commonly, Traps can be used to open up game areas, e. g., a fallen rock exposes a tunnel. This can be used to enforce the Predetermined Story Structures of games and to create or open up Inaccessible Areas.
Traps can be used to help Guard goals and can make it possible to achieve Eliminate goals without directly attacking opponents.
Can Be Modulated By
Delayed Effects, Line of Sight, Time Limits,
Diegetic Aspects
While some Traps require Rhythm-Based Actions to avoid, games built around Rhythm-Based Actions sometimes instead explain failures of performing these actions as the triggering of Traps.
Narration Aspects
Since Traps can cause Surprises, this can be used as part of Predetermined Story Structures and especially to enact Betrayal.
Consequences
Traps add game elements to Game Worlds that threaten players with Penalties of Ability Losses, Decreased Abilities, or Damage that can lead to the loss of Health, Lives and Units. Common objects of Evade goals, Traps give players restricted Movement Limitations within their immediate surrounding and can force players into Maneuvering, or create Inaccessible Areas. Traps that can be activated again and again introduce game elements that are Consumers into Game Worlds and promotes Memorizing of their locations. Those seemingly Inaccessible Areas that can be in fact be navigated give rise to Leaps of Faith in order to provide information to Memorize.
Depending on whether the trap is known to the player, Traps can cause Tension or Surprises, and those that are triggered but have Delayed Effects can cause Anticipation. Traps that mask themselves as useful Game Items or beneficial Environmental Effects are Red Herrings. Triggered Traps are examples of Ultra-Powerful Events when the activation of the effect is not an Interruptible Action nor is it possible to Evade their effects.
When Diegetically Tangible Game Items can be used to construct Traps, this provides Creative Control for players. Traps that are Destructible Objects may not provide as much Creative Control but can offer gameplay options to those engaging in Tactical Planning. When Traps can be used in these ways by players, or simply moved safely in some fashion, they can be used to help solve Eliminate and Guard goals.
Safe Havens cannot be combined with Traps, since the presence of the Traps would make the locations unsafe.
Can Instantiate
Consumers, Evade, Freedom of Choice, Inaccessible Areas, Leaps of Faith, Maneuvering, Memorizing, Movement Limitations, Red Herrings, Stimulated Planning, Surprises, Tension, Time Limits, Ultra-Powerful Events
with Destructible Objects
Relations
Can Instantiate
Betrayal, Diegetically Tangible Game Items, Freedom of Choice, Penalties, Stimulated Planning, Time Limits
with Delayed Effects
with Destructible Objects
with Diegetically Tangible Game Items
Can Modulate
Eliminate, Enemies, Game Worlds, Guard, Health, Inaccessible Areas Lives, Power-Ups, Predetermined Story Structures, Rhythm-Based Actions, Units
Can Be Instantiated By
Ability Losses, Damage, Decreased Abilities, Diegetically Tangible Game Items, Destructible Objects, Environmental Effects, Game Items
Can Be Modulated By
Delayed Effects, Destructible Objects, Diegetically Outstanding Features, Interruptible Actions, Line of Sight, Rhythm-Based Actions, Time Limits, Timing
Possible Closure Effects
-
Potentially Conflicting With
History
An updated version of the pattern Deadly Traps that was part of the original collection in the book Patterns in Game Design[1].
References
- ↑ Björk, S. & Holopainen, J. (2004) Patterns in Game Design. Charles River Media. ISBN1-58450-354-8.
Acknowledgements
-
