Split-Screen Views

The one-sentence "definition" that should be in italics.

Film-making introduce the concept of dividing the area available on screens to show several different views simultaneously by dividing the screen into several different areas. This idea of Split-Screen Views have been used to give each player in a multiplayer game his or her own part, and thereby making real-time games possible on one screen where players can move around independently of each other. Although this use is more static that they use in film-making, some games that have changing numbers of players introduce views in a way similar to their use in movies and some games have made use of the cinematic techniques in single-player games.

Examples

Borderlands and the Call of Duty, Halo, and Left 4 Dead series are examples of games allowing Split-Screen Views, at least on console versions of the games. Other examples - which are not First-Person Shooters - include the Mario Kart, Guitar Hero, and Super Monkey Ball series. Later installments in the Lego Star Wars series, which supports players joining and dropping out of the game without stopping game sessions, introduces split-screens dynamically as they are needed.

The Giant Bomb web site has a page for the concept of split-screen multiplayer which includes several more examples, and another one for dynamic split-screen.

Using the pattern

The options when designing Split-Screen Views are mainly how to screen space. For two views this is a basically a question of split the screen horizontally or vertically. Four views are easily achieved by splitting both ways. This is typically also done for three views, but then the "spare" view is often used to provide some form of Game State Overview. More views that four are rarely used (see the Wikipedia page for split screen for examples. Games with Drop-In/Drop-Out game require designers either to sacrifice some screen real estate when not all players are present or to introduce dynamically additional views as players join.

The above has assumed that the Split-Screen Views have been to support Real-Time Games to be Multiplayer Games. This is because other types of Multiplayer Games can make use of Hotseating and Single-Player Games] rarely seem to need to show multiple perspectives at once. This is however something that is used in movies and the game XIII shows how this can be used in a Single-Player Game to insert additional perspective into players' displays (a form of Game State Overviews).

Diegetic Aspects

Although Split-Screen Views does not per se break Diegetic Consistency, it does make it difficult to maintain Detective Structures in the revealing of information in games.

Interface Aspects

Dealing with how to present information to several players on one screen, Split-Screen Views is an Information and Interface Pattern.

Consequences

Split-Screen Views allow for computer-based Real-Time Games to be Multiplayer Games where players can be in different parts of a Game World and look in different directions, even if they are only using one screen. When Multiplayer Games support several screens, the pattern provides players with an alternative where they can have better overview of each other's actions. That player can see what the others are doing even if their Focus Loci are not co-present in a Game World make Cooperation easier in both cases. However, this pattern can make it difficult to have Asymmetric Information in a games since all players co-located and viewing the same Split-Screen View can see what the others sees.

Relations

Can Instantiate

Multiplayer Games

Can Modulate

Cooperation, Multiplayer Games, Real-Time Games

Can Be Instantiated By

-

Can Be Modulated By

Drop-In/Drop-Out, Game State Overviews

Possible Closure Effects

-

Potentially Conflicting With

Asymmetric Information, Detective Structures

History

New pattern created in this wiki.